What enables individuals to act together? Recent discoveries suggest that a variety of mechanisms are involved. But something fundamental is yet to be investigated. In joint action, agents represent a collective goal, or so it is often assumed. But how, if at all, are collective goals represented in joint action and how do such representations impact performance? To investigate this question we adapted a bimanual paradigm, the circle-line drawing paradigm, to contrast two agents acting in parallel with two agents performing (...) a joint action. Participants were required to draw lines or circles while observing circles or lines being drawn. The findings indicate that interpersonal motor coupling may occur in joint but not parallel action. This suggests that participants in joint actions can represent collective goals motorically. (shrink)

The aim of this article is to provide a comprehensive overview of the contributions made by Livio Rossetti to the methodologies of inquiry into ancient philosophical thought, with a specific focus on the hermeneutical tools he has developed over the course of his extensive research activity. This article will examine, in particular, the concept of “virtual philosophy” and of other “tools of the trade,” which the scholar has further refined within his latest book, Ripensare i presocratici.

Riassunto : Questo articolo ambisce a fornire una ricostruzione razionale dell’ontologia della neuroscienza cognitiva. Questa dovrebbe soddisfare tre desiderata : un’ontologia delle funzioni cognitive che descriva tutte le operazioni della mente; un’ontologia delle strutture neurali che descriva tutte le parti del cervello; una corrispondenza biunivoca tra ogni funzione cognitiva e una corrispettiva struttura neurale. Saranno brevemente esaminati i presupposti che stanno alla base di questi desiderata, nonché alcune critiche mosse dagli scettici. Dopo aver vagliato alcune possibili contro-obiezioni agli (...) argomenti scettici, si noterà come tuttavia la migliore difesa di quest’agenda di ricerca passi dal successo empirico delle euristiche che prescrive: di conseguenza, saranno descritte le strategie euristiche attraverso cui psicologia e neuroscienze, vincolandosi reciprocamente, forniscono dei criteri per selezionare funzioni cognitive e strutture neurali. Parole chiave : Filosofia delle scienze cognitive; Filosofia delle neuroscienze; Filosofia della mente; Storia delle scienze cognitive; Ontologia cognitiva The Ontological Agenda of Cognitive Neuroscience: Neuroscience as an “Arbiter” for Psychological Categories: This article aims at providing a rational reconstruction of the ontology of Cognitive Neuroscience. That should satisfy three desiderata : an ontology of cognitive functions describing any operation of the mind; an ontology of neural structure describing any part of the brain; a one-to-one correspondence between each cognitive function and a given neural structure. The assumptions sustaining these desiderata will be examined, as well as some skeptical arguments against them. Then, after having surveyed some possible counterarguments to the skeptical objections, it will be argued that the strongest defense of this research agenda is the empirical success of the heuristics that it prescribes. Thus, such heuristics will be described, showing how the mutual constraints of psychology and cognitive neuroscience provides some criteria for choosing cognitive functions and neural structures. Keywords: Philosophy of Cognitive Science; Philosophy of Neuroscience; Philosophy of Mind; History of Cognitive Science; Cognitive Ontology. (shrink)

Il presente volume, il primo della collana Ricerche di Storia della Filosofia e Teologia Medioevali in onore del Professor Marco Arosio, offre agli esperti e ai cultori degli studi medievali i contributi che - secondo il giudizio della giuria e in accordo con quanto stabilito dal bando del Premio Marco Arosio - sono stati considerati meritevoli di essere pubblicati. Il libro, curato da Marco Martorana, Rafael Pascual e Veronica Regoli, presenta i saggi di otto (...) autori, dei trentuno partecipanti alle edizioni del 2011 e del 2012 del Premio: Andrea Colli, Alfredo Gatto, Andrea Lami, Corrado Maria Malavolta, Lucia Pappalardo, Davide Riserbato, Giulia Sossi, Luca Vettorello. (shrink)

The concept of vagueness is essential to understand some Nietzsche’s main ideas about the relationship between language and reality. In this way, is it precisely vagueness, and not ambiguity or polysemy, which characterizes verbal-conceptual language for Nietzsche? In order to answer this question, firstly I will summarize the functions of the cognitive process, underlying all types of languages. Secondly, I will identify the Nietzsche’s closer concept in relation with the modern concept of ‘vagueness’ and interpret it following the rst section. (...) Thirdly, I will brie y examine what type of symbolic language is mu- sic. Finally, I will develop a comparison between verbal-conceptual language and musical language concerning the property of vagueness. The paper approach will be more theoretical than historio-graphical, because it focuses on the potential of Nietzsche’s thought regarding both the philosophy of language and the philosophy of music. (shrink)

This article analyzes the characteristics and the purposes that the object “photography” has in Proust’s Rechercheand in Roland Barthes’ La chambre claire, by recognizing within these two texts a the double challenge represented by photography itself: that of being a transparent object and that of allowing the fruition of the extra-temporality. Barthes’ realism, however, prevents the critic from considering in its full extent the cognitive value of photography, as configured in Proust’s text, which is placed in watermark in relation to (...) the Barthes’ discourse. Proust’s complex position with respect to the object “photography”, which he criticizes, among many other reasons, for thesnap-shot platitude, includes even a possible parallelism with the involuntary memory, since the heuristic meaning of photography is connected to the cognitive and affective dinamycs which guide our processes of remembrance and creative relationship with our own past. (shrink)

In un’epoca, come quella attuale, votata allo specialismo, pochi autori sono disposti a scrivere una storia della filosofia che ambisca a coprire un intero periodo, quale quello medievale e, ancor meno, quelli che si cimentino a stilare una storia globale della filosofia. La settorialità ha molti pregi, ma almeno un difetto, cioè di evitare una narrazione unitaria che, seppur necessariamente parziale e non completa, sia capace di offrire una visione di insieme mettendo in scena i filosofi principali, aggregati (...) in correnti, e i fondamentali indirizzi del pensiero speculativo. Il rischio di formulare una narrazione unitaria della filosofia, in qualità di unico autore, lo ha affrontato Anthony Kenny, dando alle stampe quattro volumi di una _Nuova storia della filosofia occidentale_. Il secondo di tali volumi è dedicato alla filosofia medievale e il presente contributo intende contestualizzarne la genesi, per poi esplicitare i criteri utilizzati da Kenny in quello che lui stesso definisce _racconto_ e vagliare criticamente i risultati raggiunti. _In an era, like the present one, devoted to specialism, few authors are willing to write a history of philosophy that aspires to cover an entire period, such as the medieval one and, even less, those who attempt to draw up a global history of philosophy. The sectoriality has many advantages, but at least one defect, that is to avoid a unitary narrative which, although necessarily partial and not complete, is capable of offering an overview by staging the main philosophers, aggregated into currents, and the fundamental directions of speculative thought. The risk of formulating a unitary narrative of philosophy, as the sole author, was faced by Anthony Kenny, publishing four volumes of a _New History of Western Philosophy_. The second of these volumes is dedicated to medieval philosophy and the present contribution intends to contextualize its genesis, __paying special attention to the two sources Kenny refers to __ to then clarify the criteria used by Kenny in what he himself defines as a _narration_ and to critically examine the results achieved_. (shrink)

This is my book about functionalism and materialism in contemporary philosophy of mind. It has been published with the finantial support of italian National Research Council (CNR).

The paper presents a critique of Marcuse’s theory of “false needs”. It aims to clear the theoretical ground necessary to sketch out an immanent critique of the socio-economical dynamics that dictate the exhausting, and oft endless postponement of the satisfaction of a multiplicity of mass needs and desires. The paper focuses its attention on some paradoxes produced by Marcuse’s theory, correlated in particular with the critique of the wellbeing of the masses, and with the manipulative superpower ascribed to ideology. These (...) paradoxes are interpreted as expressions of a radical distance between critic and the social reality and of a paternalistic drift, which can both be overcome by the introduction of a immanent critique. -/- Il contributo presenta una critica della teoria dei “falsi bisogni” di Marcuse. Tale critica è volta a liberare lo spazio teorico necessario per impostare una critica immanente delle dinamiche socio-economiche che impongono un estenuante e spesso infinito differimento della soddisfazione di una molteplicità di desideri e bisogni di massa. Ci si sofferma su alcuni paradossi generati dalla teoria di Marcuse, correlati in particolare alla critica rivolta al benessere raggiunto dalle masse, ed allo strapotere manipolatorio attribuito all’ideologia. Tali paradossi vengono interpretati come espressione di un radicale distacco tra il critico e la realtà sociale, e di una sua deriva paternalistica, che possono essere superati attraverso l’adozione di una critica di tipo immanente. (shrink)

L’esistenza dell’assoluto. Sulla Dottrina della scienza 1805 - The Doctrine of Science of 1805, which Fichte developed at the University of Erlangen, is a philosophical reflection displaying great theoretical vigour. It can be seen as consisting of two parts: the theory of existence or of knowledge and the theory of form or of objectivity. In this work Fichte makes a criticism of certain concepts of Schelling, as expounded in Philosophy and Religion , concerning the relationship between thought and life, (...) between subjectivity and absolute reason and between form and being, as well as the idea of nothingness. Considered here to be the central concept in Fichte’s doctrine is the idea of knowledge or of thought as absolute existence and as the existence of the absolute. (shrink)

L’articolo mostra come la riscoperta della Poetica di Aristotele nel XVI secolo abbia portato all’emergere della critica d’arte, di contro all’idea tradizionale secondo la quale essa sarebbe nata durante l’Illuminismo. L’articolo si concentra sulla poliedrica figura di Ludovico Dolce il quale, nel suo Dialogo sulla Pittura (1557), utilizza i precetti della poetica aristotelica per stabilire rigidi criteri di giudizio delle opere d’arte. A differenza di molti altri autori suoi contemporanei che scrissero sul medesimo soggetto, le riflessioni di (...) Dolce non offrirono né una storia dell’arte, né un corpus di regole per la pittura o la scultura; piuttosto, si rivolsero alla ricerca dei modi più consoni per interpretare in maniera accurata il lavoro artistico in tutti i suoi aspetti, anche il più soggettivo. Attraverso stringenti paralleli con la Poetica di Aristotele, Dolce delinea quella che può essere considerata una delle prime forme di critica d’arte. (shrink)

Series Studien und Materialien Zur Geschichte der Philosophie Band 80.

From an historical point of view, the Italian reception of Whitehead’s philosophy of religion turns out to be defective and the last translation of Process and Reality is the occasion to fill these gaps. The evaluation of Whitehead’s position in the field of analytical philosophy of religion, the right contextualization of his thought and a critical interpretation of the fifth part of Process and Reality show that regarding Whitehead only as the father of process theology is rather reductive and even (...) misleading. His legacy grows more fruitful considering the recent development of analytic philosophy of religion, with peculiar reference to his reflections on religious language and evil. (shrink)

Interest in _dream_ and _madness_, conceived as the loss of a world shared with others, and the individual’s entry into a private world governed by a personal logic unrelated to the waking state and to common feeling, recurs in at least three of Kant’s works: _Essay on the Diseases of the Head,_ (1764), _Dreams of a Spirit-Seer_ (1766), and _Anthropology from a Pragmatic Point of View_ (1798). Hegel too, from an early age, showed a strong fascination and a precocious interest (...) in psychopathological matters (states of altered consciousness, prophetic dreams, somnambulism, catalepsy, witchcraft etc.) to which he devoted intriguing reflections in various works from different periods: from the Berne Ms _Philosophy of Subjective Spirit_ (1794/95) to the _Phenomenology _(1807), from the _Philosophical __Propaedeutics_ (1808ff.) to the _Encyclopedia of the Philosophical Sciences_ (1830 3 ). Starting from the remarks of the two philosophers, this paper aims to underline the conceptual links between their thought and that of some renowned psychologists and psychiatrists of the 1800s-1900s (Pinel, Janet, Adler, James, Binswanger, Freud et al.). On the other hand, the paper also seeks to show – within the framework of an idea of _reason_ dating back to Heraclitus (about 544/483 B.C.) – some murky motifs, not always adequately emphasized in the past, found in the figurative and literary works of the late 1700s (e.g. Fuseli’s_ The Nightmare_, Coleridge’s _The Rhyme of the Ancient Mariner_, and, in particular, plate Nr. 43 of the _Caprichos _by Goya, _El sueño de la razón produce monstruos_), where there emerges a «dark side» of psychic activity emblematically described as the cryptic relationship between _dream_ and_ madness._. (shrink)